Michel Nedjar Movies

A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed.

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

"The nocturnal animal life in the dark ... There you go. Here is what put the flea in my ear or rather the flea in the eye ... In almost absolute...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

Wings white, she's red, wings scream, she sings, wings fly, she moans, wings rise, she hides, wings move, she teaches me. Leila, night name,...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

"In this swirling and colorful hymn to Paris, a kind of new Symphony - but jazzed up - of a big city, we find the almost ethnological attention to...

A nocturnal "offside". Pascal Martin and the celluloid bather summon us to a strange magical rite that refers to the ambiguous games of childhood.

A sexagenarian transvestite in his room, confronted with his fantasies and his solitude.